As early as Tang Xianzu's "The Peony Pavilion", Macau's customs and customs are fully incorporated. The poetry monk Shi Dashan (Monk Shi Lian) and the famous painter Wu Li of the six great masters of the early Qing Dynasty have a very important position in the history of Macao's literature. Both Zheng Guanying and Kang Youwei have left poems for Macau. Professor Huang Zunsheng’s "The Song of Drowning in the Living" is even more of the finest works of Anti-Japanese War literature. In the 1980s, Macao people consciously established a literary image of their own. The Portuguese-language literary works of Macau are most influential in the "Spirit of the Portuguese Country" by James, and he is recognized as the greatest poet of Portugal. The theatre in Macau can be traced back more than 400 years ago. The theatre rehearsal of St. Paul's College in Macau, the Gangding Theatre in Macau is the first Western-style theatre on Chinese soil. During the Anti-Japanese War, Macao used drama to inspire people and save the country. After that, drama became a tradition and remained in Macao's academic and educational circles for a long time. In the diversified structure of Macao's drama, the "Native" drama of the Macanese in Macao is a dazzling color.